All work Case study

Gemma Malenoir Photography

A gallery-grade site for a wildlife & documentary photographer — hand-built so the photographs lead and nothing gets in their way.

ClientGemma Malenoir
FieldWildlife & documentary photography
BasedBristol
Year2026
What I didDesign, hand-coded build, print collections, SEO
StatusIn build — launching 2026

This one isn't live yet. The site is built and in final review while Gemma finishes selecting the photographs for her print collections. The screenshots below are from the working build; I'll link through to the finished site the day it launches.

The Gemma Malenoir homepage — a full-screen film of a wolf with her name set over it
The homepage — a full-screen film of a wolf, her name set quietly over the top.

The brief

Gemma Malenoir photographs wildlife and wild places — conservation stories that have run from the street herons of Amsterdam to the rainforests of Borneo, and covers for titles like Life Nature Magazine. Work of that calibre needs a website that behaves like a gallery: the images hold every bit of the colour, and the site itself gets quietly out of the way.

She needed one place to do several things well — sell fine-art print collections, show a portfolio meant to be seen rather than sold, present her published features, and open the door to commission and expedition work. A template was never going to do it: they compress photographs, load slowly, and make every photographer's site look like every other one.

The build

A bespoke site on a dark, editorial canvas — designed and hand-coded from scratch, no template and no page-builder. Restrained type and generous space frame the work; a full-screen film of a wolf opens the homepage before giving way to the print collections. Every part of the interface is there to serve the photography and then disappear.

The site behaves like a gallery — calm, considered, and quietly technical under the surface.

Gemma Malenoir print collections — Dam Herons, North Kalimantan, The Yellow River and Wild Europe shown as full-bleed cards
Fine-art print collections, built to be browsed and bought — and to grow as new expeditions come back.

Under the hood

Photography that loads instantly

Next-generation AVIF images with WebP fallbacks, each served at the right size for the screen it lands on, with fonts and the hero preloaded and everything else lazy-loaded. Big, rich photographs that appear the moment you arrive.

Print collections, built to sell

Her collections are structured to be browsed and bought, and to grow as new expeditions come back — a foundation for print sales rather than a static gallery.

Accessible by design

Skip links, properly labelled navigation and clean semantic structure — so the site works for everyone and reads clearly to search engines at the same time.

Found online, shared beautifully

Structured data, Open Graph and Twitter cards and canonical URLs throughout, so Gemma's work surfaces properly in search and looks right the moment it's shared.

Motion with restraint

Content reveals gently as you scroll — a site with a pulse, never a circus.

Built to last

Hand-written HTML and CSS with no plugins to break — fast to load, cheap to run, and simple to look after year on year.

Gemma Malenoir portfolio — the Wolf Conservation frame above a selection of documentary photographs
The portfolio — meant to be seen rather than sold, with the photography full-bleed and the interface out of the way.

Where it stands

What's built feels like Gemma's work — calm, considered and quietly technical underneath. It's fast, it reads clearly to search engines, it's set up to sell prints and to pitch her for commissions, and it's made to be looked after rather than torn down and rebuilt every couple of years.

The build is complete and in final review. Once the print collections are populated and the site is live, I'll add the launch link and the numbers that come with it.

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